PUTNEY DEBATER
A personal blog
Omnishambles at the BBC
March 11th 2023 was Omnishambles Friday at the BBC, a day of multiple trouble. The redoubtable David Attenborough has a new series on British wildlife and there was consternation that the final episode, apparently dealing with its dramatic decline and what has caused it, is not being transmitted but will be seen only on iPlayer. Another of their top stars, Gary Lineker, was suspended from presenting Match of the Day for a tweet criticising the government’s new asylum policy, and his co-hosts promptly withdraw from the programme in solidarity. As a side show, following complaints from listeners, the BBC issues an apology for allowing former culture secretary Nadine Dorries to make false claims about Sue Gray and Keir Starmer on a radio show, and Question Time presenter Fiona Bruce was accused of trivialising domestic abuse in an exchange with Stanley Johnson. All these incidents revolve around household names, as so much of the news does. A few days earlier, the broadcaster was under attack from another direction, after announcing a review of its classical music provision, including 20% job cuts in its three English orchestras, and disbanding the BBC Singers, whose origins go back even further than the orchestras, to 1924, a twenty-strong choir of top flight voices capable of singing anything, and a jewel in the BBC’s musical crown. Read more
Artificial Writing: a first evaluation
LIKE every other domain of everyday life, education at all levels has been battered by digital technology even in places where it isn’t called for. Now the alarm has been raised about a new AI program, ChatGPT, which can be used, it is said, to write academic essays. A free trial version of the program was launched at the end of 2022, and gained a million subscribers in the first month. You give it a prompt in natural language and it returns a coherent and apparently cogent text. Before coming to a judgement about it, one should of course try it out, and my first impression is that its essay writing skills are stilted but it looks like it might make a useful research tool. Its great advantage, after trying it out with a few queries (called prompts), would appear to be its speed, which is much faster than using Google, and where Google delivers you a list of results which you then have to trawl through, here you get an immediate answer in formal, polite, and completely impersonal prose. Read more
‘From Printing to Streaming, Cultural Production Under Capitalism’
Cuba’s one time Minister of Culture Armando Hart once said ‘To confuse art and politics is a mistake; to separate art and politics is another mistake.’ You can also say, to confuse art and economics is a mistake; to separate art and economics is another mistake – a paradox that I explore in my new book, ‘From Printing to Streaming, Cultural Production Under Capitalism’.
www.plutobooks.com/9780745340968/from-printing-to-streaming
Culture, in the sense of aesthetic creation, has always been central to the good life under capitalism, which has engendered a magnificent apparatus for its production and consumption across the globe, but this apparatus is so riddled with contradictions basically economic in origin that it negates its own potential. Marx thought capitalism was hostile to the arts, because it cannot fully control aesthetic labour and the process of creativity the way it controls the alienated labour of the factory worker, but he never gave the question any prominence because in his own time and by his own estimation, it was marginal to the accumulation of capital. But that was before the birth of the mass media. With the invention of new technologies of mechanical reproduction came the emergence of the culture industry as a distinct sector of capital, infiltrated by the techniques of advertising and heavily interlinked with other sectors like electronics, which provided both the means of production and the means of consumption.