On Friday, here on the riverside at Putney, they started setting up the outside broadcast cameras for the Boat Race, the annual jamboree when Putney gets to be briefly seen on screens around the world. A strange object appeared looming up over my house.
‘Interrupted Memory’ at Birkbeck
Friday 9 January at 6pm
One of the interviewees in Interrupted Memory (Memoria interrumpida) (Michael Chanan, 2013, 116mns) recalls being detained in the 1976 coup in Argentina. She was beaten and raped. She began, defensively, to play a role. ‘Me, I know nothing about politics. I’m just a girl, I’m 17.’ Her captors let her go with a warning, ‘You don’t leave this place twice. Behave properly, don’t say anything.’ She was so traumatized that she went on playing the role of the naïve girl for years. Real life was suspended.
Michael Chanan’s film charts not just the public history of recent political violence in Chile and Argentina, but also the intimate and inner damage it has wreaked.
Free entry. To attend this event please RSVP: www.eventbrite.co.uk/e/bisr-guilt-screening-tickets-14629456097 or just turn up!
‘Secret City’ at SOAS
Saturday 24 January at 4pm, Khalili Lecture Theatre
16:00 London is Burning (Haim Bresheeth, 2012, 45′)
17:00 Secret City (Michael Chanan, 2012, 72′)
18:30 Panel presentations and discussion:
Chair: Prof. Annabelle Sreberny (SOAS)
Prof. Costas Lapavitsas (SOAS): “Non-Productive Capitalism and its trail of destruction”
Owen Jones (Guardian) TBC
Prof. Doreen Massey (Open U): “The city of London: The invisible demon”
This is really interesting. Taken from voteforpolicies.org.uk – a really worthwhile website – try it.
‘Secret City‘, the film I’ve made with Lee Salter about the City of London Corporation, received a preview screening at the House of Commons on Tuesday evening. This is more or less what Lee and I said to introduce it.
First, our thanks to John McDonnell, MP for Hayes and Harlington, for hosting the event.
We think this film is a model of documentary film production within the academy under the rubric of research as practice. One of the things this means is that it’s been produced on a tiny budget, less than £10,000, which represents real value for money. So we’d also like to acknowledge the support of the University of Roehampton, which provided most of this funding, which mainly covers the costs of clearing rights for archive footage.
Why a film and not a research paper? Because we wanted to reach outside the academy with a piece of work that deals with something very few people know anything about, and a documentary film is a very good way to do this because it breaks out of the limits of any particular discipline and reaches audiences in the wider community. Read more
It’s almost a year since anti-capitalist protestors, intending to set up camp in front of the London Stock Exchange in Paternoster Square under the banner of Occupy LSX, were ejected from the square and parked themselves instead in front of St Paul’s Cathedral. The result was one of the starting points for this film: a highly public debate about capitalism and the Church.
But there was also another power acting in the shadows to eventually eject the Occupiers – the City of London Corporation. An ancient body which dates back before William the Conqueror, before there was a parliament in Westminster, which zealously guards its autonomy and privileges to this day.
This is the subject of Secret City: a state within a state, with deleterious effects on democracy, politics and economics in London, the country, and the world, for the City is joint headquarters with Wall Street of global finance capital. In short, ‘Secret City’ isn’t just a film for Londoners – especially in these times of crisis, the role of the City concerns everyone everywhere.
Here’s the trailer:
[youtube]http://www.youtube.com/watch?v=7HJGLqMAQbk[/youtube]
‘Secret City‘ is a minimal budget film by Michael Chanan and Lee Salter, supported by the University of Roehampton. We tell the story though interviews with politicians, academics, writers, activists and campaigners, counterpointed with unfamiliar archive footage and a musical score by Simon Zagorski-Thomas taken from the nursery rhyme ‘Oranges and Lemons’.
One of the themes running through the work of artist film-maker William Raban is the creation of a counter-image of London to the classic and generally stereotypical representations of the city we are all too used to. I’m thinking here of work like Thames Film of 1986 and Island Race ten years later. His new film, About Now MMX, premiered last month at the Tate Modern, is very much in this mould. Read more