Funeral Music

Windsor 19/9/22
A Sideways Glance at The Funeral

Monday morning. Impossible to escape the demise of the old lady who resided in the castle up the road from where I live. The Long Walk, which the cortège will pass along in a few hours, is just two minutes away, it’s where I take my daily constitutional. I haven’t been out there for the last few days – they’ve put up barriers to control the crowds they expect to come and watch, and the grass is pockmarked with outside broadcast vans. The press began to descend on the town the very first day, along with the throngs laying flowers, who they duly interviewed – the first tv crews were already there the first evening when I returned from London after seeing a friend off on the Eurostar. I couldn’t avoid going into town a couple of times over the next few days. There are always groups of tourists in the town centre, but the people now swarming around the castle weren’t your usual culprits, and they were a little subdued as they made their way to the castle gates. 

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Ambrosio Fornet RIP

Ambrosio Fornet, who has died in Havana at the age of 90, was one of Cuba’s leading revolutionary intellectuals, a literary scholar, essayist and scriptwriter (his best known screenplay was Retrato de Teresa from 1979) who became a dear friend whom I never failed to visit every time I went to Havana, sometimes passing hours in conversation with him. We talked about film, of course, and about Cuba – he explained to me many a puzzle I had about the culture, especially cultural politics – and because he was extremely curious about England, he had me explaining things to him in such a way that I found myself reflecting on my own country in new ways. I got him in front of the camera twice, once in 1985 in Havana Report about the film festival, which I made with Holly Aylett, and once a couple of years earlier in the first of the documentaries on New Latin American Cinema I made for Channel Four.  Here he is.

 

Cultural environmentalism in Leicester

A small but fascinating interdisciplinary workshop at the University of Leicester on March 6th, on the theme of environmental justice in Latin America, convened by Paula Serafini, proved a congenial occasion for a screening of ‘Cuba: Living Between Hurricanes’. The event, which focussed on cultural production in response to environmental injustice, was  slightly depleted by two or three non-arrivals due to understandable reluctance to travel from abroad; two of them gave their contributions via internet – is this how things will shape up in the foreseeable future?

What made it so engaging was the variety of presentations about a diverse range of cultural manifestations – street theatre, performance, music, textiles, video – and of phenomena susceptible to cultural intervention – conservation in the Colombian paramo, potato cultivation in the Peruvian Andes, conflict over pulp mills on the Uruguay river, shareholder meetings in London. Read more

Ernesto Cardenal

In tribute to Ernesto Cardenal, the Nicaraguan poet who has just died at the age of 95, here he is in the early 80s, when he was the Sandinista Minister of Culture, in an extract from ‘New Cinema of Latin America’, which I made for Channel 4.
This was the only time I ever told an interviewee what I wanted them to say. I had been warned that he would have very little time, but I’d read an interview with him about culture and imperialism, so I simply asked him to repeat what he’d said there. I had the impression that he wasn’t really comfortable in front of the camera but he was very gracious, and when the camera rolled, he repeated what he’d said almost word for word, like prose poetry.
[vimeo]https://vimeo.com/394892764[/vimeo]

What we didn’t film in Cuba

Cuba in mid-October was nearly as hot as in July, when we finished shooting ‘Cuba: Living Between Hurricanes‘. We went back to show the almost finished film to our collaborators in Havana and in the small fishing port of Caibarién, where much of our filming was focussed. Our efforts were rewarded by lively discussion and we returned home to make some adjustments in response to the feedback. The film is now finished, and will have its first public screening in Havana in December during the Havana Film Festival.

[vimeo]http://vimeo.com/369266783[/vimeo]

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A chance encounter with Kiarostami

 

In May 2005 I bought a new pocket-sized video camera. The next day I took it with me to try out when I went to visit Kiarostami’s installation, ‘Forest Without Leaves’, at the Victoria & Albert Museum, and as I was filming, Kiarostami himself appeared. (After I shut off the camera, another figure appeared – Ken Loach. We chatted and then went all together to look at Kiarostami’s photos in another room.)  I didn’t do anything with the footage, since after all, it was only a test, and I hadn’t yet mastered the camera, but I offer it here in modest homage to this most remarkable of filmmakers. The rare kind who keeps you believing in the power of cinema to refashion our perception of the world that the other kind of cinema blocks out.

 

[vimeo]https://vimeo.com/173587645[/vimeo]

 

Neighbourhood Solidarity in Madrid

As elections approach in Spain, the latest episode from our forthcoming documentary Money Puzzles.

[vimeo]http://vimeo.com/146373683[/vimeo]

In Greece last July our camera witnessed the tangible forms of solidarity elicited by the extreme austerity imposed by the unrelenting finance ministers in Brussels. ‘Solidarity For All’ is the name of an association of more than 350 solidarity groups across the country helping to feed people, provide health care, and other kinds of services they can no longer afford and whose public provision has been severely cut by austerity measures. But this is not just a stopgap. In Mandra, on the outskirts of Athens, where we filmed a food distribution centre, a local organiser explained that they’ve developed relations with local producers that cut out the middleman, and this was the kernel of a different way of organising society. Something similar is true of the widespread networks of local solidarity groups across Spain, each concerned with particular issues like protection from eviction or running food banks, but activists are never far away from the idea of alternative forms of social organisation, according to different values where money no longer determines what ‘value’ means, and people escape the atomisation and social isolation, with its dire psychological effects, that capitalism in crisis imposes to an ever more intense degree.

One of the reasons for the Eurogroup’s intransigence was the fear that what started in Greece might spread elsewhere in Europe. Syriza seemed to offer the hope that it was possible to overcome the fractured state of the left to create a irresistible new political force. The result of the Referendum last July, when over 61% of voters said No to the bailout conditions, seemed to confirm it. If the effort immediately collapsed when Alexis Tsipras lost his nerve and capitulated to Europe (a moment we documented in Greece, Europe, Undemocracy), then the latest developments in Portugal (Portugal gets new leftwing PM after election winner only lasted 11 days) suggest this dream has not been killed off, even if it implies compromises. In Spain–where I went to film at the beginning of November–there are elections coming up on December 20, but here the left is still fractured, and electoral politics are complicated by the emergence of a populist right wing party, Ciudadanos, in response to the sudden rise of Podemos on the left, who also face a challenge from other left groupings like Izquierda Unida. The primary political issue, however, during my fortnight in Barcelona and Madrid, was Cataluña’s bid for independence, with its unresolvable political and economic conundrums, rather different from the issues in the Scottish case. The issue plays into the hands of the constitutionalist majority, and no-one I spoke to thought that the left could win the elections.

The elections come up obliquely in this short video, Neighbourhood Solidarity in Madrid, filmed in Puerta Del Angel, just across the river from the city centre, with the local branch of the RSP (Red de Solidaridad Popular, or Network of Popular Solidarity) covering the districts of Latina and Carabanchel. The group’s primary activity is a food bank, but they also support people–that’s to say, each other–in other ways, and there are volunteers who provide professional advice or give classes in maths or languages.

The RSP Latina Carabanchel exemplifies the strength of the movement against austerity known as 15M, from the date of the mass demonstrations of the indignados in cities across the country (15 May 2011). The movement has generated a wide set of local initiatives attacking the effects of austerity politics in parallel fields, loose federations of autonomous local groups under umbrella names that indicate their focus. Thanks to a small network of friends active in one or other of these groups, I was able to connect with people working on housing, food provision, and healthcare in Barcelona and Madrid. These sequences will be included in the completed film. My thanks especially to Ricard Mamblona in Barcelona, and Concha Mateos in Madrid, who were both extremely generous with their time and attention as production managers, and to the camera people they found to work with me, Oriol Bosch Castellet and Raquel Salillas.

 

What the big media don’t show

Paris 29 November 2015.

[vimeo]http://vimeo.com/147310542[/vimeo]

By chance I was in Paris for the weekend. No demos are allowed in Paris because of the State of Emergency following the November 13 terrorist attacks, so at midday protestors organised a human chain along Boulevard Voltaire. One of the organisers, a friend of mine, told me that the police agreed to this as long as roads were not blocked, and the memorial site at the Bataclan theatre was excluded. None of this was reported in the big media, which focussed instead on the shoes at the Place de la Republique and a violent clash which took place there later in the afternoon. The shoes made a powerful symbolic statement, but so did the human chain which the media ignored. Read more

Greece, Europe, Undemocracy

[vimeo]https://vimeo.com/136378322[/vimeo]

This film is a chapter from the forthcoming feature documentary, Money Puzzles, a film about money, debt and the fight against austerity. Money Puzzles is conceived as a follow up to the filmmakers’ award winning film, Secret City. Whereas Secret City investigated a crucial institutional structure that was invisible to most and shrouded in secrecy, Money Puzzles focuses on an everyday commodity the reality of which is hidden in plain sight.

Nowhere is the reality of debt money more evident than in Greece right now. The tussles over the so-called bailout shone a light upon the institutional structures that underpin money and its relations. Yet that light seems to have blinded journalists from the mainstream media and their political counterparts.

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