Entries by Michael

The camera that supposedly changed the world

The recent BBC documentary ‘The Camera That Changed the World’, directed by Mandy Chang, about the birth of direct cinema at the start of the 1960s, was a solidly crafted and conventionally narrated television documentary containing a good deal of fascinating material, especially in the form of the testimony of surviving participants. Unfortunately, however, these […]

The history of our movement against cuts (so far)

by Patrick Ward Socialist Worker Sometimes it’s easy to forget just how much has gone on over the past eight months. This documentary is a celebration of the anti-cuts movement in Britain. It charts the movement from the student protests of late last year through to the huge 26 March TUC demonstration. Director Michael Chanan […]

Blinded by science?

There’s an interesting new piece of research about the perceptual process of watching films which I can’t get out of my head without writing a blog about it. This research is not just of theoretical interest, but touches on pedagogic concerns. Part of learning to watch films critically is to understand how editing works, and […]

The Comandante’s Memory

Brilliant cartoon by Raúl de la Nuez, La memoria del comandante 2 The Comandante’s Memory (No.2) ‘Don’t rememer who sang ‘Los zapaticos de rosa’..??? The Beatles or the Rolling Stones’ (Los zapaticos de rosa is a song to a poem by José Martí) http://cartoonuez.com/ via http://bostoonsmag.com  

‘Intelligent and highly watchable’: Sight and Sound

East End Film Festival London, UK May 2011 Frances Morgan Emma-Louise Williams’ Under the Cranes, which premiered to a capacity audience at Dalston’s Rio Cinema, featured the work of [a] long-time resident, Michael Rosen, whose documentary play Hackney Voices steered this engaging, gentle, slightly dreamlike documentary… Rosen also appears in Michael Chanan’s Chronicle of Protest, extolling the revolutionary potential […]

Postgrads in Glasgow

Following the KCL Postgrad Film Studies Conference that I wrote about last week, I’ve been up to Glasgow for a similar event. In fact, two. The first was a workshop on documentary as research, with a focus on human rights and video activism. The panel I joined included folk from the Manchester collective Castles Built […]

‘The Wild Things of World Cinema’

Will postgrad film studies continue to thrive under the new dispensation being engineered for universities by the Tories (with Lib-Dem connivance)? What will have been destroyed if it doesn’t is in evidence at this time of year in postgrad events up and down the country. An impressive three-day conference was mounted last week at King’s […]

Review at Nuke’s World

Today at 1545 local time, Chronicle of Protest, a film directed by Michael Chanan premiered at The Rio Cinema, Dalston, as part of the East End Film Festival. On seeing its inclusion, I was heartened fearing a lack of films commentating on the events which have engulfed the capital over the past year. And so, looking forward to […]

Gilbey on Film: Chronicle of Protest, previewed

Activist video is providing a corrective to the mainstream media – but nothing beats the power of a cinema screen. One of the qualities I love about cinema is its assertiveness: it’s so much harder to overrule or ignore a film when it’s on a cinema screen, whether that screen is in the Grand Palais […]