Entries by Michael

Imagining Documentary in Atlántida

Arriving in Atlántida, the location for Uruguay’s documentary festival Atlantidoc, gave me a very strange sensation. A sleepy coastal town near Montevideo, I had the feeling that I’d been here before, or somewhere very much like it. Searched my memory for other seaside towns in Latin America visited over the years, but none quite fitted […]

To the South

Well I’ve just had one whirlwind of a trip. First, five nights in Atlantida, a very sleepy seaside town just along the coast from Montevideo (which I didn’t get to visit) on the La Plata estuary, for a small but extremely friendly documentary film festival called Atlantidoc, where I taught a workshop in directing documentary. […]

Reality Effects in London

Over on ‘Open Spaces‘, Patty Zimmerman recently wrote about the vitality of cinema studies south the Rio Grande. She talks about attending a conference in Mexico and how she ‘heard brilliant analyses of films I didn’t know about. I listened to debates that never migrate al norte. I met passionate scholars mining the theoretical complexities […]

Beckett’s pauses / Students’ Warning

Two letters in the Guardian this week past caught my attention. The first concerns the pauses in Samuel Beckett’s Waiting for Godot. Murray Marshall of Salisbury writes:   The obituary for Timothy Bateson (Obituary, 8 November) mentioned the difficulties that original cast had with grasping the meaning of Waiting for Godot. The author himself was […]

Curtocircuito: Materia

Here’s the third film from the Curtocircuito workshop, Materia by Pablo Fontenla and Marce Magán. This one hardly needs subtitles. The text at the end says ‘Everything exists or doesn’t exist. Something can be at the same time itself and something else.’ A quote from Engels’ Anti-Dühring (although I believe Wittgenstein said something very similar). [wpvideo […]

Non-compliance

This morning I caught the end of a story on the BBC news which concluded ‘The government says it wants universities to treat students more like consumers’. I respond by emitting an exclamation which cannot be repeated in polite language. How long have we been suffering from this worse than asinine instrumentalism? This kind of […]

The last piano factory (in England)

It makes me a little sad to hear that the last piano factory in the UK, Kemble’s in Bletchley, is closing today, with a loss of 90 jobs (and the skills they comprise). I visited this factory back in the mid-1980s when I was doing research for a film I never got to make on […]

Curtocircuito

The task was not so easy. The participants in the workshop had to make a three-minute documentary in four days. The subject was Santiago de Compostela, where the workshop was held as part of Curtocircuito—ShortCircuit in Gallego—one of a number of new film festivals which have grown up in Spain, as in many other countries, […]

Soundtrack thoughts

I’ve recently caught up with Charles O’Brien’s splendid, paradigm-shifting book, Cinema’s Conversion to Sound, subtitled Technology and Film Style in France and the US. Briefly, O’Brien combines thorough research into primary sources and empirical methods of analysing film style to critique the conventional idea that the coming of sound produced a homogenisation of cinema which spread […]