Reflections on Cuban cinema, in answer to questions from the Havana Glasgow Film Festival, ahead of this year’s festival which opens on November 10th with ‘Cuba: Living Between Hurricanes’.
https://hgfilmfest.com/2020/10/19/extraordinary-cuba-an-interview-with-michael-chanan/
A more interesting question to ask after his death is not what Fidel Castro was – a revolutionary hero? a tyrannical dictator? a beneficent dictator? – but who would now call themselves a Fidelista and what will become of Fidelismo? The Havana where I arrived the day before his burial at the other end of the island was certainly subdued, but how to interpret the silence that the TV news bulletins during the previous week had all remarked on? It wasn’t just that the authorities had banned music and alcohol during the mourning period. An old friend of my own age ruminated: ‘People were silent’, she said, ‘because they didn’t know what to say.’ Or as a new friend, an equally thoughtful young woman of 26 put it, ‘He already wasn’t there.’ Read more
The proper title of Havana’s annual film festival, founded in 1979, is the International Festival of New Latin American Cinema – Nuevo Cine Latinoamericano. The words mark the Festival’s identification with a movement that was born in the 1960s, in the diverse endeavours of a new generation of filmmakers across the continent. The Festival remains a model of its kind after thirty-five years, the programme not only full of films in cinemas across town but also workshops and masterclasses of all sorts. This year’s centre-piece seminar (in which I was privileged to be one of the panelists) boldly addressed the Festival’s very raison d’être, under the title ¿Nuevo? ¿Cine? ¿Latinoamericano? – ‘New? Latin American? Cinema?’ It went along with perhaps the strangest festival promo you’ve ever seen, beautifully made by Pavel Giroud, in which an old projectionist switches off his projector, takes the reel off and goes and buries it.
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Very pleased to share the news that my new film, ‘Interrupted Memory / Memoria interrumpida’, will receive its world premiere at the Havana International Film Festival, 5-15 December 2013, where I will also be participating in a panel discussion on contemporary documentary.
Come to a preview screening at the University of Roehampton on Wednesday 4th December (Duchesne Lecture Theatre, 4.30pm).
Check out www.mchanan.com/interrupted-memory for information and a teaser (or below).
Well I’ve just had one whirlwind of a trip. First, five nights in Atlantida, a very sleepy seaside town just along the coast from Montevideo (which I didn’t get to visit) on the La Plata estuary, for a small but extremely friendly documentary film festival called Atlantidoc, where I taught a workshop in directing documentary. Fifteen participants from half a dozen Latin American countries, not students but young film-makers out there hustling to get their films made, highly intelligent and articulate. Lots of animated conversation in the festival cafe on the beach, and late night screenings in the open air. More about this later.
The task was not so easy. The participants in the workshop had to make a three-minute documentary in four days. The subject was Santiago de Compostela, where the workshop was held as part of Curtocircuito—ShortCircuit in Gallego—one of a number of new film festivals which have grown up in Spain, as in many other countries, in the last few years. Read more