Entries by Michael

Remembering Stanley Forman

For left film culture in Britain, Stanley Forman, who has died at the age of 91, was the archive man. His company, ETV, held a unique library of  left-wing documentaries which amounted to the history of the twentieth century from a socialist perspective. Established in 1950 as Plato Films, the outfit was what would be […]

Jury Service in Digital Times

It’s only late in life—I’m in my sixties—that I find myself being summoned for jury service. Like all of us, I’ve seen innumerable court room dramas, in films and on television—fiction, docudramas and documentaries—and on three occasions I’ve been in the court room as a witness (I’ll come back to that). But only now, as […]

Transformations of Consumerism

In the last few days, three major UK retail chains have gone bankrupt and are shutting up shop: Jessops, HMV and Blockbuster. Photography, music, and film rental. Pundits are saying that it’s inevitable as sales move to the web, and doesn’t mean the market will contract (except for film rental, which is no longer a […]

Against ‘Impact’

The other day we interviewed a couple of PhD scholarship candidates. Good applicants, with interesting and unusual research proposals. However, I was saddened when one of them started talking about ‘impact’. So, she’d found out about the institutional regime of evaluation that now governs research and learned the lingo, but is this the game that […]

A double loss

The death in Buenos Aires of Argentine filmmaker and theorist Octavio Getino was reported on the same day as that of the historian Eric Hobsbawm in London. Worlds apart and different spheres of activity, perhaps, but both contributed in major ways to the broad current of independent and international critical culture that grew up after […]

‘Secret City’

It’s almost a year since anti-capitalist protestors, intending to set up camp in front of the London Stock Exchange in Paternoster Square under the banner of Occupy LSX, were ejected from the square and parked themselves instead in front of St Paul’s Cathedral. The result was one of the starting points for this film: a […]